
(Im)possible Interventions
In my project I create small-scale sculptures by using techniques and materials that are usually not associated with large-scale structures or public sculpture, because they do not reflect our ideas of longevity towards the future. These materials include, among others: twigs, animal fiber, and vegetable fiber. After constructing the sculpture, I identify a locale where I imagine placing the sculpture if it were enlarged. I take photographs of the place and digitally locate the sculpture in the chosen site, creating the illusion of large-scale public interventions. My photomontages are “(im) possible interventions” because they challenge our sense of space, place, and scale while engaging questions around popular tourist/travel photography as well as the aesthetics of interventions.
My intention with "(Im) possible Interventions" is that viewer question the existence of the structures I place virtually in the public space, by not being completely sure about the photograph's veracity. Although photographic manipulation is something that has been happening for a long time, our society at large believes in the veracity of photographs. Through my interventions, I want to challenge the boundaries between familiar and distant as well as veracity and fantasy.

(Im)possible Interventions (Graz)

(Im)possible Interventions (Pichincha)

(Im)possible Interventions (Honolulu)

(Im)possible Interventions (Venice)

(Im)possible Interventions (Amsterdam)

(Im)possible Interventions (midwest)

(Im)possible Interventions (Armenia)

(Im)possible Interventions (airport)

(Im)possible Interventions (interchange)

(Im)possible Interventions (Frankfurt)

(Im)possible Interventions (midwest)

(Im)possible Interventions (midwest)

(Im)possible Interventions (midwest)