
Te Atendería
I grew up seeing my grandmother crochet functional pieces constantly. Her pieces were part of my daily life.
I have chosen to explore crochet for the creation of three-dimensional art for many reasons. Visually it reminds me of fishing nets and chainmail. I also appreciate the fact that it is all made out of one piece of thread that goes through my fingers, and through this process I have total control of the shape created. I am challenged by the fact that I want to create three-dimensions with something that usually ends up being two-dimensional. I want it to become structural, and I accomplish this at times with my choice of materials and at other times with the structural elements I choose the pieces to connect to. The association of crochet with women’s labor is something I welcome, and through this association the work becomes political.

"Te Atendería (Atelier Cézanne - Aix-en-Provence, France)," crocheted yarn (colors inspired by painting Montagne Sainte-Victoire from Carrièrs de Bibémus by Paul Cézanne), dimensions variable, 2017

"Te Atendería (Atelier Cézanne - Aix-en-Provence, France)," crocheted yarn (colors inspired by painting Montagne Sainte-Victoire from Carrièrs de Bibémus by Paul Cézanne), dimensions variable, 2017

"Te Atendería (Rota)," crocheted yarn, dimensions variable, 2019

"Te Atendería (Rota)," crocheted yarn, dimensions variable, 2017 - detail

"Te Atendería (Rota)," crocheted yarn, dimensions variable, 2017 - detail

"Te Atendería (Jardin Botanique, Marnay-sur-Seine))," crocheted yarn, dimensions variable, 2016

"Te Atendería" at Petra Air residency in Kavala, Greece, 2021

"Forest," branches, plaster, found objects and crocheted yarn, dimensions variable, 2017

"Te Atendería," crocheted thread, max. height 5' / 1,5m, 2000